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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Earth and Charcoal Diptych organizes the field into vertical bands that behave like columns. Terracotta and charcoal alternate until the wall becomes architecture.

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Earth and Charcoal Diptych organizes the field into vertical bands that behave like columns. Terracotta and charcoal alternate until the wall becomes architecture.

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Limewash Triptych bets that the gap between panels carries as much as the painting. The dark bases settle the wall and everything above is left to the lime.

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Limewash Triptych bets that the gap between panels carries as much as the painting. The dark bases settle the wall and everything above is left to the lime.

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Compass and Clay puts a black arch and an olive hill on either side of a single drawn line, and lets flat terracotta do all the talking in between.

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Compass and Clay puts a black arch and an olive hill on either side of a single drawn line, and lets flat terracotta do all the talking in between.

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Camellia Eclipse opens a camellia where the sun would be, and the terracotta disc behind it turns into an eclipse of warm clay.

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Camellia Eclipse opens a camellia where the sun would be, and the terracotta disc behind it turns into an eclipse of warm clay.

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