Selene

Moon Hills draws the landscape into the spell of lunar light. It gives the wall the depth of a window facing an unhurried night.

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Blossom Moon lets flowering and moonlight share the same depth. The image carries mystery without turning it into darkness.

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Wine Hour puts a cold turquoise and a deep red on the same surface and lets them negotiate across the middle.

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Golden Night is about the warmth left over after the light has gone. Rust and olive dissolve into the pale ground without ever fully going out.

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Golden Night is about the warmth left over after the light has gone. Rust and olive dissolve into the pale ground without ever fully going out.

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Amber and Indigo brings warmth into deep water. The work is carried by the tension between what glows and what recedes.

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Violet Infinity turns color and matter into a sense of continuation. The composition seems to extend beyond its visible edge.

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Golden Moon Bird treats light as witness to an attentive presence. The image asks the eye to stay long enough for vigilance to become intimacy.

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Blue Hour Field finds openness just as the light recedes. Its depth can make a room feel larger rather than darker.

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Golden Moon Bird treats light as witness to an attentive presence. The image asks the eye to stay long enough for vigilance to become intimacy.

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Blue Hour Shore belongs to the interval after daylight has changed and before night has fully formed. It extends an hour that always feels too brief.

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Violet Infinity turns color and matter into a sense of continuation. The composition seems to extend beyond its visible edge.

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Golden Sea Mist lets light find its own route across the water. It softens distance without reducing its scale.

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Golden Sea Mist lets light find its own route across the water. It softens distance without reducing its scale.

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Blue Hour Field finds openness just as the light recedes. Its depth can make a room feel larger rather than darker.

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Storm organizes force into straight planes instead of letting it run loose. Red, orange and blue cross at angles, and the work holds the energy without turning into noise.

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Amber and Indigo brings warmth into deep water. The work is carried by the tension between what glows and what recedes.

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Blossom Moon lets flowering and moonlight share the same depth. The image carries mystery without turning it into darkness.

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Moon Hills draws the landscape into the spell of lunar light. It gives the wall the depth of a window facing an unhurried night.

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Upon the Waters belongs to the moment when going forward requires listening to your own rhythm. The water returns what haste tends to erase.

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Upon the Waters belongs to the moment when going forward requires listening to your own rhythm. The water returns what haste tends to erase.

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