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Olive Terrace is about keeping a piece of the coast close without going anywhere, an old fruiting tree potted on warm stone with water showing through a gap in the wall.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Olive Terrace is about keeping a piece of the coast close without going anywhere, an old fruiting tree potted on warm stone with water showing through a gap in the wall.
Hanging Fine Art
12 × 16 in – 28 × 40 in
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Blossom Terraces spreads three flowering trees across stepped ground so the eye has to travel to collect them.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Olive Noon honors the kind of beauty only time can build. It gives a room roots without closing it in.
Framed Fine Art
12 × 12 in – 28 × 40 in
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Hanging Fine Art
12 × 16 in – 28 × 40 in
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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Carved Fronds treats the fan of a palm the way architecture treats ornament, with every rib taking light at a different angle.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Olive Noon honors the kind of beauty only time can build. It gives a room roots without closing it in.
Hanging Fine Art
12 × 12 in – 28 × 40 in
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Courtyard Noon sets a tall plant against warm plaster at the hour when shadows cut sharpest and the whole wall goes golden.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Ochre Window uses architecture to measure the passage of daylight. It brings the same precision to a room that it gives to light.
Framed Fine Art
12 × 12 in – 28 × 40 in
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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Vessel and Shadow shows the same plant twice, once in leaf and once as the shadow thrown on the wall behind it.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Papyrus Pond treats water as a second garden, where every stem gets a longer and looser version of itself.
Framed Fine Art
12 × 16 in – 28 × 40 in
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One leaf repeats in four greens, from a closed forest tone to a green so pale it almost turns to sand.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Compass and Clay puts a black arch and an olive hill on either side of a single drawn line, and lets flat terracotta do all the talking in between.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Kindled Earth gives weight and warmth to a landscape reduced to its essentials. Its presence is grounded without becoming heavy.
Framed Fine Art
12 × 12 in – 28 × 40 in
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Compass and Clay puts a black arch and an olive hill on either side of a single drawn line, and lets flat terracotta do all the talking in between.
Hanging Fine Art
12 × 16 in – 28 × 40 in
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Porcelain Orchid keeps a flowering stem in the tense of about to, with open blooms above and closed buds still waiting their turn.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Golden Night is about the warmth left over after the light has gone. Rust and olive dissolve into the pale ground without ever fully going out.
Hanging Fine Art
12 × 16 in – 28 × 40 in
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First Tide keeps a shoreline and two figures inside a single pale tone, where shadow does the work color usually does.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Golden Night is about the warmth left over after the light has gone. Rust and olive dissolve into the pale ground without ever fully going out.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Cliffside Bloom places a season of flowering directly against geological time and lets both share one surface.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Moon Hills draws the landscape into the spell of lunar light. It gives the wall the depth of a window facing an unhurried night.
Framed Fine Art
12 × 12 in – 28 × 40 in
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Teal and Orange holds the meeting of ocean temperature and tropical heat along a single diagonal.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Tidal Ink turns the meeting of water and land into an abstract gesture. The composition keeps the force of a shoreline without depending on a literal view.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Petal Garden celebrates abundance without surrendering lightness. Its generosity unfolds gradually rather than all at once.
Framed Fine Art
12 × 12 in – 28 × 40 in
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Gilded Magnolia lets a thin line of gold decide where each petal ends.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Salt Shore places faith and horizon on the same path. The landscape suggests that staying can also be a way of moving forward.
Framed Fine Art
12 × 12 in – 28 × 40 in
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Ivory Crossing runs a wide band of light straight across a deep blue field, and the one block of rust resting on it is where the whole picture gathers heat.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Peonies receive the oval that architecture usually reserves for a portrait, and they hold that place with full authority.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Turquoise and Gold gives the entire surface to one climb, from deep night in a low corner to full gold at the top.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Three Leaves lines up three ways of building the same thing and lets the differences carry the composition.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Crimson Peonies celebrates floral intensity at close range. The work does not ask the eye to keep its distance.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Old Growth places one immense tree in front and three distant survivors behind it, all cut from the same pale ground.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Architectural Rust builds with temperature instead of form. Blue holds the left, orange takes the right, and the line between them decides where the floor is.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Earth and Charcoal Diptych organizes the field into vertical bands that behave like columns. Terracotta and charcoal alternate until the wall becomes architecture.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Earth and Charcoal Diptych organizes the field into vertical bands that behave like columns. Terracotta and charcoal alternate until the wall becomes architecture.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Old Friend holds a woman with one hand on the trunk of a flowering tree and a valley open in front of her.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Wine Hour puts a cold turquoise and a deep red on the same surface and lets them negotiate across the middle.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Under the Blossoms seats a woman on stone steps, the tree in full flower leaning over her and a valley running out to one side.
Framed Fine Art
12 × 16 in – 28 × 40 in
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Spring Walk places a woman at the edge of a lake with a flowering tree opened above her and mountains closing the far side.
Framed Fine Art
12 × 16 in – 28 × 40 in
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