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Ochre Window uses architecture to measure the passage of daylight. It brings the same precision to a room that it gives to light.

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Ochre Window uses architecture to measure the passage of daylight. It brings the same precision to a room that it gives to light.

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Lines of Sand works at the border between technical drawing and painting. Fine rules measure the field, and the ochre square is the only place where color carries weight.

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Olive Terrace is about keeping a piece of the coast close without going anywhere, an old fruiting tree potted on warm stone with water showing through a gap in the wall.

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Wine Hour puts a cold turquoise and a deep red on the same surface and lets them negotiate across the middle.

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Turquoise and Gold gives the entire surface to one climb, from deep night in a low corner to full gold at the top.

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Lines of Sand works at the border between technical drawing and painting. Fine rules measure the field, and the ochre square is the only place where color carries weight.

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Jade Undertow begins with a force that advances without revealing itself in full. Between depth and light, the work suggests that direction does not depend on visible certainty.

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Teal and Orange holds the meeting of ocean temperature and tropical heat along a single diagonal.

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