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First Seeds defends the power of a small beginning. It is about tending to what has not yet had time to reveal its promise.

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First Seeds defends the power of a small beginning. It is about tending to what has not yet had time to reveal its promise.

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First Lotus Light is about the instant possibility begins to occupy real space. It holds the strength of first movements before they become certainty.

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Sandstone Dawn gives a room the scale of an old tree standing over a valley at first light.

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Gilded Magnolia lets a thin line of gold decide where each petal ends.

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Porcelain Orchid keeps a flowering stem in the tense of about to, with open blooms above and closed buds still waiting their turn.

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Petal Garden celebrates abundance without surrendering lightness. Its generosity unfolds gradually rather than all at once.

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Crimson Peonies celebrates floral intensity at close range. The work does not ask the eye to keep its distance.

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Peonies receive the oval that architecture usually reserves for a portrait, and they hold that place with full authority.

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First Tide keeps a shoreline and two figures inside a single pale tone, where shadow does the work color usually does.

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First Lotus Light is about the instant possibility begins to occupy real space. It holds the strength of first movements before they become certainty.

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Lilac Reach removes the landscape entirely and keeps only the reach of a flowering tree across a warm ground.

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Sandstone Dawn gives a room the scale of an old tree standing over a valley at first light.

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