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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Terracotta Diptych is about one color lived at two temperatures. One panel lets the terracotta breathe in the light; the other closes it into the dark.

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Earth and Charcoal Diptych organizes the field into vertical bands that behave like columns. Terracotta and charcoal alternate until the wall becomes architecture.

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Earth and Charcoal Diptych organizes the field into vertical bands that behave like columns. Terracotta and charcoal alternate until the wall becomes architecture.

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Vigil sets a woman on an open plain beneath a tree whose roots need an entire cliff to hold them.

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Magnolia Ascent follows one stem that keeps opening as it rises.

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Stone Dawn lets the ground behave like water, folding into long rose and cream bands that carry the color of early morning.

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Upon the Waters belongs to the moment when going forward requires listening to your own rhythm. The water returns what haste tends to erase.

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First Seeds defends the power of a small beginning. It is about tending to what has not yet had time to reveal its promise.

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Cosmos Unison lets individuality and encounter occupy the same composition. Connection appears without requiring sameness.

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Magnolia Reverie lets flowering enter the room as a decisive gesture. Light gives the form room to unfold without excess.

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Golden Reflection asks where water ends and radiance begins. That uncertainty lets the work change with the light around it.

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Rain Coast makes filtered light the measure of distance. The horizon remains present even as atmosphere shifts around it.

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Kind Eyes sustains an encounter without distraction. Over time, it feels less like a portrait and more like company.

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One leaf repeats in four greens, from a closed forest tone to a green so pale it almost turns to sand.

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Tidal Ink turns the meeting of water and land into an abstract gesture. The composition keeps the force of a shoreline without depending on a literal view.

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Salt Shore places faith and horizon on the same path. The landscape suggests that staying can also be a way of moving forward.

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Porcelain Orchid keeps a flowering stem in the tense of about to, with open blooms above and closed buds still waiting their turn.

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Carved Camellia treats a flower with the patience usually reserved for stone.

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Cliffside Bloom places a season of flowering directly against geological time and lets both share one surface.

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