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Crimson Peonies celebrates floral intensity at close range. The work does not ask the eye to keep its distance.

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Peonies receive the oval that architecture usually reserves for a portrait, and they hold that place with full authority.

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Peonies receive the oval that architecture usually reserves for a portrait, and they hold that place with full authority.

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Deep Crimson shows a color taking more room than it needed. The block advances across the pale ground, and the work lives in the width of that advance.

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Deep Crimson shows a color taking more room than it needed. The block advances across the pale ground, and the work lives in the width of that advance.

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Cosmos Unison lets individuality and encounter occupy the same composition. Connection appears without requiring sameness.

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Mist Chrysanthemum turns floral volume into memory and matter. The bloom seems to emerge from the surface rather than sit upon it.

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Cherry Blossom Lake celebrates the space shared by flowering and freedom. Growth appears generous because the composition allows it room.

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Ruby Blocks treats color as construction rather than atmosphere. Wine, earth and slate lock together with the weight of masonry, and the pale half-circle is the only give.

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Petal Garden celebrates abundance without surrendering lightness. Its generosity unfolds gradually rather than all at once.

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Camellia Birds makes companionship a form of attention. Sharing the same place allows that place to feel larger.

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Wine Hour puts a cold turquoise and a deep red on the same surface and lets them negotiate across the middle.

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Cliffside Bloom places a season of flowering directly against geological time and lets both share one surface.

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Vigil sets a woman on an open plain beneath a tree whose roots need an entire cliff to hold them.

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Porcelain Orchid keeps a flowering stem in the tense of about to, with open blooms above and closed buds still waiting their turn.

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Ruby Blocks treats color as construction rather than atmosphere. Wine, earth and slate lock together with the weight of masonry, and the pale half-circle is the only give.

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Stone Dawn lets the ground behave like water, folding into long rose and cream bands that carry the color of early morning.

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Under the Blossoms seats a woman on stone steps, the tree in full flower leaning over her and a valley running out to one side.

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Orchid Luminance celebrates presence born from precision. Delicacy becomes the source of its authority.

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Vessel and Shadow shows the same plant twice, once in leaf and once as the shadow thrown on the wall behind it.

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Old Growth places one immense tree in front and three distant survivors behind it, all cut from the same pale ground.

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Blossom Moon lets flowering and moonlight share the same depth. The image carries mystery without turning it into darkness.

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Magnolia Reverie lets flowering enter the room as a decisive gesture. Light gives the form room to unfold without excess.

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