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Blue Hour Field finds openness just as the light recedes. Its depth can make a room feel larger rather than darker.

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Blue Hour Field finds openness just as the light recedes. Its depth can make a room feel larger rather than darker.

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Blue Hour Shore belongs to the interval after daylight has changed and before night has fully formed. It extends an hour that always feels too brief.

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Ivory Crossing runs a wide band of light straight across a deep blue field, and the one block of rust resting on it is where the whole picture gathers heat.

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Slate Folds shows landscape after it has become structure. The planes fold like cut stone, and a single orange triangle marks where the light got in.

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Indigo Tide translates the coast into broad fields of color. Water and land remain distinct while belonging to one continuous movement.

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Blossom Moon lets flowering and moonlight share the same depth. The image carries mystery without turning it into darkness.

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Sandstone Dawn gives a room the scale of an old tree standing over a valley at first light.

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Wine Hour puts a cold turquoise and a deep red on the same surface and lets them negotiate across the middle.

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Blue Architecture builds depth from fitted planes alone. A circle and a quarter-round open the blue block, and a gold line marks the joint.

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Chamomile Hours turns an everyday lightness into a luminous pause. The familiar gains importance through attention.

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Storm organizes force into straight planes instead of letting it run loose. Red, orange and blue cross at angles, and the work holds the energy without turning into noise.

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Kindled Earth gives weight and warmth to a landscape reduced to its essentials. Its presence is grounded without becoming heavy.

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Courtyard Noon sets a tall plant against warm plaster at the hour when shadows cut sharpest and the whole wall goes golden.

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Green Constellation keeps five leaf forms apart on a single field, and the space between them is what turns a set into a figure.

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Turquoise and Gold gives the entire surface to one climb, from deep night in a low corner to full gold at the top.

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Moon Hills draws the landscape into the spell of lunar light. It gives the wall the depth of a window facing an unhurried night.

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Amber and Indigo brings warmth into deep water. The work is carried by the tension between what glows and what recedes.

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Architectural Rust builds with temperature instead of form. Blue holds the left, orange takes the right, and the line between them decides where the floor is.

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Spring Walk places a woman at the edge of a lake with a flowering tree opened above her and mountains closing the far side.

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Citrine Seam spends almost all of its surface on cold grey and all of its color on one narrow run of gold.

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Under the Blossoms seats a woman on stone steps, the tree in full flower leaning over her and a valley running out to one side.

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